Saturday, August 25, 2012

Linda Heffernan and Ester Pugliese at loop Gallery

September 1 –23, 2012
Reception: Saturday, September 8, 2012, 2-5 PM
Q&A Session: Saturday, September 22, 3PM


loop Gallery is pleased to announce two exhibitions by loop members Linda Heffernan entitled Plus 2, and Ester Pugliese entitled False Relations and Fractions

Linda Heffernan, 'Plus 2' (2012)

Plus 2 continues Linda Heffernan's exploration of the potential ramifications of extreme climate change and the opposing points of view that make a considered global response so challenging. The textured semi-abstract paintings in this exhibit use satellite views of major cities and snippets of media commentary as a jumping off point to depict the consequences of choosing to explore or ignore the search for a green economy. 

Linda Heffernan is a Whitby-based artist exploring themes of consumer capitalism and bureaucracy in an ever more interconnected global economy. She has a BFA from OCAD University and her work is included in a number of private and public collections in Canada. Linda Heffernan is a member of loop Gallery and has exhibited her work in a number of galleries in Toronto 's Queen West district as well as Whitby's Station Gallery and The Robert McLaughlin Gallery in Oshawa. 

Ester Pugliese, 'False Relations I' (2012)

The mixed media works in Pugliese’s False Relations and Fractions offer up an arrangement of incongruous image pairings and split second variations that layer cultural references, natural elements and imagined realities. Roofs of Toronto houses open up to reveal ephemeral hierarchies; output graphs from Ontario's wind power facilities intertwine with musical notation spectrograms of Italian madrigals; and groupings of fragile objects invite closer inspection. 

Pugliese is a Toronto-based artist who has exhibited her work in Canada and England. She holds a BFA from York University and received the Humber College Board of Governors Achievement Award with her post-graduate certificate in Arts Administration/Cultural Management in 2004. Her work is in private and public collections in North America and Europe, including the Donovan Collection at St. Michael’s College, Toronto.